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D’Wayne Edwards has left an undeniable mark on the global footwear industry. Known for designing iconic sneakers for sports legends such as Michael Jordan and Carmelo Anthony, Edwards has transformed from a celebrated footwear designer into an educator dedicated to creating opportunities for future generations.
His journey began in an unlikely place. As a teenager working as a file clerk at LA Gear in California, Edwards had no formal design education and little encouragement from those around him. Despite this, he possessed a passion for sneaker design that started when he was just 12 years old. Determined to make his ideas known, he spent months sketching sneaker concepts on small cards and placing them in the company’s suggestion box.
His persistence eventually paid off. In 1989, LA Gear recognized his talent and offered him an entry-level position as an assistant footwear designer. That opportunity launched a remarkable career spanning several of the world’s biggest footwear brands.
Over the years, Edwards worked with companies including Skechers, MVP Footwear, Nike, and Jordan Brand. His designs and creative contributions helped shape signature products associated with globally recognized athletes and celebrities. He collaborated with notable figures such as Michael Jordan, Carmelo Anthony, Derek Jeter, Dr. Dre, and Snoop Dogg.
What set Edwards apart was his storytelling approach to design. Rather than creating products solely based on aesthetics, he focused on the personal stories, interests, and lifestyles of athletes. One example was the Air Jordan 21, inspired by Michael Jordan’s love for luxury automobiles, particularly the Bentley Continental GT Coupe. The shoe incorporated premium materials that reflected Jordan’s refined tastes and lifestyle.
While serving as Design Director at Jordan Brand, Edwards developed a close working relationship with Carmelo Anthony, one of the first athletes signed to the brand. Anthony’s deep interest in understanding the design process inspired Edwards to think differently about mentorship and education.
During this period, Edwards became increasingly aware of a significant gap within the industry. While footwear companies frequently built products around Black athletes and marketed them to Black consumers, there were limited pathways for aspiring Black designers to enter the profession.
Determined to address this imbalance, Edwards launched Future Sole in 2008 with support from Nike. The competition invited young creatives to submit sneaker designs, offering them exposure to the professional design world. What began with hundreds of entries quickly grew into a global movement, attracting hundreds of thousands of participants over the following years.
The overwhelming response confirmed what Edwards had suspected: there was tremendous untapped creative talent waiting for guidance and opportunity.

Motivated by this realization, he founded Pensole Design Academy in Portland, Oregon, in 2010. The institution became North America’s first dedicated footwear design academy and quickly established itself as a leading training ground for aspiring designers.
Pensole’s mission extended beyond teaching sneaker design. Edwards wanted students to understand that creativity could become a sustainable career. Whether in product design, materials development, merchandising, branding, or visual storytelling, he sought to reveal the wide range of opportunities available within the creative industry.
His vision expanded dramatically in 2020 when he learned about the former Lewis College of Business, a historically Black college in Detroit that had closed several years earlier. Seeing an opportunity to combine education, creativity, and community impact, Edwards decided to revive the institution.
With support from the Gilbert Family Foundation, which contributed $10 million toward the initiative, the college was reborn as Pensole Lewis College (PLC) Detroit.
Today, PLC Detroit serves as a unique educational institution focused on design, innovation, and industry collaboration. Students gain hands-on experience through partnerships with major organizations including Nike, PepsiCo, Logitech, Target, and several professional sports organizations.
Unlike traditional colleges, PLC emphasizes direct industry engagement. Many programs are intensive, short-term master classes, while degree programs provide students with comprehensive pathways into creative careers.
The institution has also become a hub for diversity and leadership within the footwear industry. Through initiatives such as the Black Footwear Forum, PLC brings together professionals, executives, and aspiring designers to create greater representation and opportunity throughout the industry.
Since its founding, Pensole and PLC have helped place hundreds of graduates into careers at leading global brands, including Nike, Prada, Timberland, and many others. The success of these alumni demonstrates the effectiveness of Edwards’ vision and commitment.
Despite his many accomplishments, Edwards continues to think about the future. His long-term goal is to secure full accreditation for Pensole Lewis College and further expand access to design education through partnerships with Historically Black Colleges and Universities across the United States.

From a young employee dropping sketches into a suggestion box to a globally respected designer and educational leader, D’Wayne Edwards has built a legacy that extends far beyond footwear. His work has not only influenced sneaker culture but has also opened doors for countless aspiring creatives who may never have imagined a career in design was possible.
His story serves as a powerful reminder that determination, creativity, and a willingness to create opportunities for others can leave a lasting impact on an entire industry.






